Frequently Asked Questions

Transitional Ages and Stages

How do I know if my child is ready for the next class level?

The Kindermusik philosophy springs from genuine respect for each child's individual rate of development. Class activities and at-home materials are designed to honor, support and celebrate the wonderful uniqueness of each child. Classes have overlapping age ranges to help parents accommodate their child's own needs. While a child should be at least the minimum age to enroll in any given class, there are three critical "transitional stages" when parents have an important choice to make about which class is most appropriate and beneficial for their child: at age 1.5 years, 3 to 3.5 years and 4.5 to 5 years. The suggested ages for Kindermusik curricula are:
Village ~ Newborns to 18 months
Our Time ~ 18 months to 3 or 3.5 years
Imagine That! ~ 3 to 4.5 or 5 years
Young Child ~ 4.5 or 5 to 7 years 
 

If your child is near a transitional stage, the following guidelines may help your decision:

Moving from Village to Our Time The suggested age for an Our Time class is 18 months to 3 or 3 ½ years. Children ready for this next level show many of the following characteristics:

 

Physical

  • Improved walking skills, feet are together, knees flexible (vs. the "just walker" who has a wide-based legs apart gate with locked knees)
  • Beginning to imitate/explore a variety of traveling movements ---run, jump, leap

Cognitive 

 

  • Reliably point to correctly identified body parts
  • Can follow two-step direction
  • Understands what "one" means (vs. a handful)
  • Learning to use toys and objects in symbolic ways (moving beyond just enjoyment of sensory properties)
  • Can interact in a directed activity
  • Able to shift attention with transition
  • Connects to an activity; initiates a play sequence
  • Reliably responds to own name (refers to self by name in secure environments)

Emotional

  •  Uses gestures and language to deal with frustration (as apposed to just crying or whining)
  • Sustains interest and attention in activity for several minutes (Note: not wanting to give something up such as bells or sticks, can be a sign of maturation)

Language

  •  Can express wants and needs symbolically (gestures, words)
  • Has vocabulary of 20 words: receptive language is still stronger than expressive
  • Reading with caregiver becomes cooperative. Child will select book, sit, relate to the story and interact.

Social

  • Interested in what other children are doing
  • Capable of distal communication (i.e. following verbal instructions from farther away)

Musical

  •  Moves to music, perhaps to steady beat

Moving from Our Time to Imagine That! The suggested age range for Imagine That! classes is 3 to 5 years. Children ready for this next level show many of the following characteristics: Physical

  • Has a taller, thinner, adult-like appearance
  • Balances on one foot; jumps in place without falling
  • Holding crayons in pincher grasp rather than fist

Cognitive

  • Knows if they are a boy or girl
  • Can do matching games
  • Knows some basic shapes and colors
  • Developing divergent thinking skills ("What animals do you like?")
  • Beginning transition from concrete to abstract thinking (humor aids this process)
  • Sits and listens to stories for up to 10 minutes

Emotional

  • Recognizes needs of another person; can be empathetic
  • Separates from parent without crying
  • Development of humor

Language

  • Beginning to master rules of language; speaks in full sentences (4-5 words); asks questions
  • Vocabulary growing from 300-1,000 words
  • Can relate a series of activities; tells stories ("We went to the grocery store, then to grandma's and I played with the kittens.")

Social

  •  Recognizes the needs of others
  • Turn taking becomes harder than earlier, but beginning to understand reasons
  • Learning about patience

Musical

  • Recites rhymes
  • Sings simple, whole songs


Moving from Imagine That! to Young Child

Physical

  • Can jump forward many times in a row, hops, gallops, is learning to skip
  • Demonstrates control of pencil or marker

Cognitive

  •  Eager to learn
  • Has developed classification skills (i.e. can sort things that have a single common feature) and can sort by size, color and form
  • Counts to 20; recognizes numerals 1-10
  • Beginning to see things from another's perspective
  • Recognizes some letters of the alphabet

Emotional

  • Impulse control is emerging and developing
  • Exhibits self-confidence and reliability
  • Sense of right and wrong is growing
  • Beginning to see things from another's perspective

Language

  •  Speech is nearly 100% intelligible (exceptions may include children with hearing and language delay)
  • Uses grammar correctly (i.e. past and future tense)

Social

  • Enjoys friendships and group activities
  • Shares, takes turns, plays cooperatively
  • Is affectionate and caring
  • Follows directions

Musical

  •  Sings a whole song
  • Beginning to match pitches consistently
  • Developing ability to match to group steady beat

 

The 2-year Young Child program was intended in design for kindergartners and first graders. Individual exceptions might be made for a child who is 4 1/2 in the fall, who has participated in Kindermusik Imagine That, or who is developmentally mature. We find that children who have come up through our Kindermusik program are generally more mature than a child who has never participated in Kindermusik. A 4 1/2 preschooler would best be served, in most cases, by participating in Imagine That! which is also a 2-year curricula.

Children who are 6 are encouraged to begin in Year One, but may elect to begin in Year 2 if they are more comfortable with the age range. 7-year-old children should begin in Year 2. Any child entering the program in the middle of the year should be the same age as the children in the class. (Children who were 5 in the September will be turning 5.5 by January.) This is true because the Young Child curricula is a sequential curricula and the child will have to catch up with the major concepts taught in the fall semester. At the beginning of each semester, there is a review of the major concepts so that new children may be incorporated into the class.

Because of the sequential and foundational nature of the curriculum, it is best to start in the fall if the child is 4 1/2. Children who are 5 in January usually do well with the review at the beginning of the semester. Young 4's would have a more difficult time catching the missed concepts quickly. If in doubt, speak with the Teresa Birch or Ruth Michaelis. If you are a new client, it would be helpful for the child to visit a class so the teacher can observe the child.

Q: Should I Choose Kindermusik or Private Lessons?

Q: My kindergartener or 1st grader shows interest in learning music.  Should I enroll her in private lessons? Or Kindermusik?

As her parents, only you can make that decision, but here is some information that may help you to make the right choice for your child.

Q: What is Kindermusik for the Young Child?

Kindermusik for the Young Child is the culmination of early childhood musical development; in addition to movement, instrumental play, singing, and creating, YC students begin to learn musical notation (note and rhythmic), and begin learning to play a melody instrument, the glockenspiel. Young Child develops the entire scope of a child's musicality, and instills the fundamentals before they need to use those fundamentals to produce a finished performance product.

We might compare the concepts learned in Young Child to reading:  It is more difficult for a child to be a fluid reader who comprehends what they read (what we consider reading, rather than just sounding out words) if they do not have a firm, instinctive understanding of the letters of the alphabet and the sounds those letters make BEFORE trying to read words. LIkewise, a child who completes YC will understand note reading, dynamics, phrasing, expression, and all of the things that make music musical, much more readily than a child that has to learn note reading while they are already trying to learn their first piece, let alone make it more than a progression of notes.

Young Child allows the child to explore the entire spectrum of their fledgling musicality, rather than limiting them too soon to one mode of expressing it. Children who graduate from Kindermusik for the Young Child have a strong basis in theory, musicianship, and instrumental technique. More importantly, they have been allowed to develop the whole child through music, in a supportive and reassuring atmosphere, which lays the groundwork for a lifetime of positive outlook not only towards music learning, but towards learning in general.

Q: When Should My Child Begin Private Instrumental Instruction?

       As a piano teacher since 1980, I have found that children who begin private lessons at 5 or 6 enjoy the lesson time, and make slow, incremental progress.  Practice time is often challenging and usually requires strong focus from an assisting parent.  By the time that child reaches 7 or 8, another 7 or 8 year old will begin lessons.  Within about 6 months, these two children will be at roughly the same level, but the one who began at 5 or 6 is starting to burn out. 

       As a general rule, most children are not ready to begin formal instrumental training before the age of 7 or 8 for piano or string instruments, and most instructors will not accept students younger than 8 or 9 for other orchestral or band instruments. Before that, they tend to lack the size, stamina, hand-motor-skills, and outcome-oriented commitment to make lessons an enjoyable and successful experience. Children are individuals, with a wide range of aptitude, but all children possess the ability to enjoy lifelong music making, and this ability can be greatly influenced by how we choose to approach their earliest experiences.  From experience, most teachers will tell you that the majority of students do not begin to progress rapidly in piano lessons, for example, until they are at least 7 years old. 

        Kindermusik contains all if the needed elements to develop a child who is musically aware and who has the solid foundation to make lessons a natural and joyous next step. Children who grow up in Kindermusik have had chances to succeed, be nurtured and encouraged in their early creative explorations, and develop a core of music theory instilled through voice, body, and mind. Music for them is a natural part of their environment, and they have gained the language of note, rhythm, and expression to help them as they select which instrument they most wish to make their own. Many experts agree that early musical enrichment lays a foundation for musicianship which may accelerate later progress on an instrument.
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